The Libyan filmmaker who fights for the return of cinema to his country
The Libyan capital, Tripoli, historically boasted a vibrant cinema industry, which was significantly impacted by the governance of Muammar Gaddafi and the subsequent civil unrest. Efforts are currently underway to revive this sector.
The Libyan capital, Tripoli, historically boasted a vibrant cinema industry, which was significantly impacted by the governance of Muammar Gaddafi and the subsequent civil unrest. Efforts are currently underway to revive this sector.
Filmmaker Mouayed Zabtia is actively working to overcome the challenges facing Libyan cinema by utilizing a studio he constructed at his residence for his latest project. Before the 1969 coup that established Gaddafi's rule, Tripoli featured over 20 cinemas. However, the resultant regime restricted cinematic activities.
Despite Gaddafi's overthrow in 2011, challenges persist due to historical underinvestment and public disinterest. Zabtia's latest film, set in the 1980s, reflects on the era's cultural climate and the perception of cinema as a vehicle for foreign influence.
Post-2011, Zabtia anticipated governmental support for cinema revival, which has yet to materialize significantly. His productions are self-funded, relying on income from a production company he established in 2001. This company initially focused on television series and wedding videos before transitioning into film post-revolution.
The Libyan capital, Tripoli, historically boasted a vibrant cinema industry, which was significantly impacted by the governance of Muammar Gaddafi and the subsequent civil unrest.
Filming in Libya presents logistical hurdles, including the need for sizable crews and cooperation with local authorities. Additionally, societal views sometimes perceive cinema as conflicting with cultural values, particularly concerning the portrayal of women.
Efforts to rejuvenate the Libyan film industry include initiatives such as the establishment of the Libyan Film Institute in 2021 and increased participation in international film festivals. Notably, documentaries like "Freedom Fields" and films such as "Donga" have been showcased internationally.
Despite the lack of a domestic market for cinema, there is potential for Libyan films to gain recognition through international platforms like Netflix and Amazon Prime. Zabtia emphasizes the importance of promoting Libyan stories and culture to global audiences.
Based on reporting by Africanews.
